Congresul UUR – 26-27 Octombrie 2019

Cel de-al VIII-lea congres al Uniunii Ucrainienilor din ROMANIA

Meeting with the Mayor Mr. Emil Boc

Centrul Regional de Excelență pentru Industrii Creative, la „Meet the Mayor”, un eveniment organizat anual, în care reprezentanți ai comunităților internaționale de la Cluj și primarul poartă un dialog deschis despre evoluția și stadiul proiectelor din oraș.

Ziua Frantei 2019

Ziua Frantei a fost sărbatorita in avans, la Cluj Napoca – Casino-Centru de Cultură Urbană Cluj. Sute de invitati au celebrat evenimentul in orasul in care traiesc cei mai multi francezi din Romania.

Sonorizari corporate

Organizezi un seminar, un congres, o conferinta, petrecere sau o lansare fastuoasa de produse?

Ai nevoie de serviciile noastre.

Suntem o companie specializata in domeniul audio si oferim clientilor nostri servicii profesionale de inchiriere a echipamentelor de sonorizare.

Fidelitate Muzicalitate

Muzica trebuie sa fie redata si receptionata cat mai fidel

Daca vrei sa sune cat mai tare, indiferent de calitate, unde frecventele joase predomina si nu se intelege mai nimic din muzica redata, te rugam sa te indrepti catre un alt furnizor de servicii de sonorizare deoarece pe noi ne intereseaza in primul rand claritatea si fidelitatea toate acestea la un nivel sonor adecvat astfel incat sa fie perceput de fiecare ascultator fara sa fie deranjant dar in acelasi timp nici prea incet astfel incat sa fie distinsa fiecare nota/nuanta.

Evenimente Corporate

Sonorizari Evenimente Corporate.

Evenimente Private

Sonorizari orice alte tipuri de evenimente private.

Botezuri

Sonorizari Botezuri.

Nunti

Sonorizari Nunti

Sonorizari evenimente corporate Cluj – prezentari oficiale, lansari de produse, conferinte, nunta, botez, banchet, majorat, petreceri private

Pentru sonorizari în Cluj-Napoca a oricarui eveniment (conferinte, prezentari,nunta, botez, majorat, petreceri private, banchete, etc.)  sau imprejurimi nu ezita sa apelezi cu incredere la noi.
Asiguram echipamentele atat pentru trupa sau orice alt eveniment suplimentar (karaoke, mai multe microfoane, lavaliera, numar mai mare de boxe sau orice este nevoie).

 

Muzica, asa cum nu ati mai auzit-o pana acum LIVE, doar in studio sau casti profesionale.

La fel cum înalta definiţie a schimbat modul în care vizionaţi filme, sunetul de înaltă rezoluţie va transforma modul în care vă bucuraţi de muzica preferată.

Ascultaţi muzica aşa cum intenţionează artistul, cu reglaj cat mai natural pe fiecare instrument, fără microfonii și la cea mai înaltă fidelitate.

 

Meeting with the Mayor Mr. Emil Boc – Octombrie 2019. My office today

Meeting with the Mayor Mr. Emil Boc – Octombrie 2019. My office today

Centrul Regional de Excelență pentru Industrii Creative, la „Meet the Mayor”, un eveniment organizat anual, în care reprezentanți ai comunităților internaționale de la Cluj și primarul poartă un dialog deschis despre evoluția și stadiul proiectelor din oraș....

Ziua Frantei 2019. My office today

Ziua Frantei 2019. My office today

Ziua Frantei a fost sărbatorita in avans, la Cluj Napoca - Casino-Centru de Cultură Urbană Cluj. Sute de invitati au celebrat evenimentul in orasul in care traiesc cei mai multi francezi din Romania. Azi am sarbatorit, printre stropi de ploaie, alaturi de cele mai...

My office today at TIFF – Social Media Espresso

My office today at TIFF – Social Media Espresso

#tiff18 #tiff2019  #nespresso #sonorizaricluj Stories, TikTok, Instagram, Vlogging, Podcasts, Messaging. Sunt cuvinte-cheie in social media astazi, pe care orice om din marcom si orice creator de continut trebuie sa le cunoasca. Cele mai noi tendinte in...

Presonus StudioLive 315AI

  • Unique coaxial design integrates a custom-designed, 8-inch, ferrite midrange driver and 1.75-inch titanium compression driver with Temporal Equalization™ and Coaxial Speaker Coherence Alignment
  • 15-inch, custom-designed, ferrite, low-frequency transducer
    • 2,000 watt, triamped, Class D amplification
    • LF 2×500 watts / 1×1,000 watts
    • MF 1×500 watts
    • HF 1×500 watts
  • Active Integration 32-bit, 96 kHz DSP with more processing power than three rack speaker processors
  • 32-bit floating-point DSP with asymmetric three-way crossover, Temporal Equalization for horn reflection, linear time- and amplitude-anomalies correction, performance contouring, dynamic limiting, and excursion limiting
  • XMAX Class A mic preamp with 12V phantom power
  • Universal Switch mode power supply with power-factor correction

Controls and Networking

  • 4 operation modes optimized for:
    • Normal — live front-of-house
    • MP3 — music playback
    • Floor Monitor — stage wedge
    • User — customizable preset
  • Line-level input with attenuation
  • Speaker-attenuation control
  • Balanced XLR Mix output
  • External Subwoofer mode activates a low-cut filter and alignment delay for combining StudioLive® 18sAI subwoofer with 315AI in a true 4-way system
  • Wireless or wired networking with free SL Room Control software for Mac®, Windows®, and iPad® enables complete setup, tuning, and monitoring
    • Network Setup Wizard automatically detects each speaker and allows you to quickly connect to your wireless router network
    • Remote control over Maximum SPL/output level, high-pass filter, onboard operational modes, performance monitoring, mute, and speaker delay
    • 31-band graphic EQ and 8-band parametric EQ (total of 10, including feedback notch filter)
    • Visually display room layout on a laptop or iPad
    • ​Edit, save, recall, and share speaker-setup parameters

 

Presonus StudioLive 312AI

  • Unique coaxial design integrates a custom-designed, 8-inch, ferrite midrange driver and 1.75-inch titanium compression driver with Temporal Equalization™ and Coaxial Speaker Coherence Alignment
  • 12-inch, custom-designed, ferrite, low-frequency transducer
    • 2,000 watt, triamped, Class D amplification
    • LF 2×500 watts / 1×1,000 watts
    • MF 1×500 watts
    • HF 1×500 watts
  • Active Integration 32-bit, 96 kHz DSP with more processing power than three rack speaker processors
  • 32-bit floating-point DSP with asymmetric three-way crossover, Temporal Equalization™ for horn reflection, linear time- and amplitude-anomalies correction, performance contouring, dynamic limiting, and excursion limiting
  • XMAX Class A mic preamp with 12V phantom power
  • Universal Switch mode power supply with power-factor correction

Controls and Networking

  • 4 operation modes optimized for:
    • Normal — live front-of-house
    • MP3 — music playback
    • Floor Monitor — stage wedge
    • User — customizable preset
  • Line-level input with attenuation
  • Speaker-attenuation control
  • Balanced XLR Mix output
  • External Subwoofer mode activates a low-cut filter and alignment delay for combining StudioLive 18sAI subwoofer with 312AI in a true 4-way system
  • Wireless or wired networking with free SL Room Control software for Mac®, Windows®, and iPad® enables complete setup, tuning, and monitoring
    • Network Setup Wizard automatically detects each speaker and allows you to quickly connect to your wireless router network
    • Remote control over Maximum SPL/output level, high-pass filter, onboard operational modes, performance monitoring, mute, and speaker delay
    • 31-band graphic EQ and 8-band parametric EQ (total of 10, including feedback notch filter)
    • Visually display room layout on a laptop or iPad
    • ​Edit, save, recall, and share speaker-setup parameters

Presonus StudioLive 328AI

  • Unique coaxial design integrates a custom-designed, 8-inch, ferrite midrange driver and 1.75-inch titanium compression driver with Temporal Equalization™ and Coaxial Speaker Coherence Alignment
  • Dual 8-inch, custom-designed, ferrite, low-frequency transducers
    • 2,000 watt, quadamped, Class D amplification
    • LF 2×500 watts
    • MF 1×500 watts
    • HF 1×500 watts
  • Active Integration 32-bit, 96 kHz DSP with more processing power than three rack speaker processors
  • 32-bit floating-point DSP with asymmetric three-way crossover, Temporal Equalization for horn reflection, linear time- and amplitude-anomalies correction, performance contouring, dynamic limiting, and excursion limiting
  • XMAX Class A mic preamp with 12V phantom power
  • Universal Switch mode power supply with power-factor correction

Controls and Networking

  • 4 operation modes optimized for:
    • Normal — live front-of-house
    • MP3 — music playback
    • Floor Monitor — stage wedge
    • User — customizable preset
  • Line-level input with attenuation
  • Speaker-attenuation control
  • Balanced XLR Mix output
  • External Subwoofer mode activates a low-cut filter and alignment delay for combining StudioLive 18sAI subwoofer with 312AI in a true 4-way system
  • Wireless or wired networking with free SL Room Control software for Mac®, Windows®, and iPad® enables complete setup, tuning, and monitoring
    • Network Setup Wizard automatically detects each speaker and allows you to quickly connect to your wireless router network
    • Remote control over Maximum SPL/output level, high-pass filter, onboard operational modes, performance monitoring, mute, and speaker delay
    • 31-band graphic EQ and 8-band parametric EQ (total of 10, including feedback notch filter)
    • Visually display room layout on a laptop or iPad
    • ​Edit, save, recall, and share speaker-setup parameters

Convenience Features

  • Comfortable, ergonomic handles
  • Integrated M10 fly points and pole mounts
  • Ships with Ethernet connection for wired control; optional Dante™ card

 

Presonus StudioLive 18sAI

  • 18-inch ferrite transducer
  • 1,000 watt (bridged), Class D amplifier
  • Active Integration 32-bit, 96 kHz DSP with variable crossover, dynamic limiting, and excursion limiting
  • Stereo line inputs (XLR-¼” combo) and switchable stereo/summed-mono line outputs (XLR)
  • Universal Switch mode power supply with power-factor correction

Controls and Networking

  • Ships with Ethernet connection for wired control; optional Dante™ card
  • Alignment delay (switchable: 0, 2, or 4 feet) enables subwoofer to be placed in different positions relative to a full-range speaker system
  • Wireless or wired networking with free SL Room Control software for Mac®, Windows®, and iPad® enables complete setup, tuning, and monitoring
    • Network Setup Wizard automatically detects each speaker and allows you to quickly connect to your wireless router network
    • Remote control over Maximum SPL/output level, high-pass filter, onboard operational modes, performance monitoring, mute, and speaker delay
    • 31-band graphic EQ and 8-band parametric EQ (total of 10, including feedback notch filter)
    • Visually display room layout on a laptop or iPad
    • ​Edit, save, recall, and share speaker-setup parameters

Convenience Features

  • Comfortable, ergonomic handles
  • Integrated pole insert and interlocking stacking provisions
  • Optional mountable Sub Dolly and pull-tested Sub Pole to mount a full-range system atop the 18sAI

Presonus StudioLive series III 32

General Controls

  • 33 touch-sensitive, motorized faders with choice of:
    • 1-to-1 workflow—assign all channels to the top layer, with one fader per input channel
    • Split-layer workflow—split the faders between inputs and outputs, including DCAs and Aux outputs
  • RGB Select buttons with user-assignable colors
  • Transport control
  • 8 user-assignable buttons for mute groups, scenes, and more
  • All-new Fat Channel controls including
    • 8 scribble strips, encoders, and multicolor buttons
    • Customizable user layer
    • 7-inch color touchscreen
  • Studio One DAW control (MCU and HUI coming soon)

Inputs and Outputs

  • 40 total inputs
  • 32 channel inputs: 16 mic, 16 mic/line
  • 1 XLR Talkback mic input with recallable XMAX Class A preamp
  • 2 stereo Aux inputs
  • 16 FlexMix outputs: 12 XLR, 4 balanced TRS
  • 4 TRS subgroup outputs
  • Unbalanced stereo (RCA) tape input and output
  • Bluetooth™ 4.1 wireless tape input
  • Stereo AES/EBU digital output
  • 2 XLR (L/R) Main outputs
  • XLR Main summed mono output
  • 2 TRS monitor outputs
  • Stereo headphone output

Channels and Buses

  • 32 input channels with recallable XMAX Class A mic preamps
  • 2 stereo aux inputs
  • 26 buses:
    • 16 FlexMixes (can be designated as aux, subgroup, or matrix mixes)
    • 4 dedicated subgroups
    • 4 internal effects sends
    • Stereo main bus
  • 24 Filter DCAs for easily and flexibly controlling groups of channels

Networking Connections

  • 1 Ethernet control network port
    • Dynamic, Self Assigned, and Manual IP address modes
  • 1 Locking XLR Ethernet AVB audio network port
  • Complete ecosystem of AVB solutions, including stageboxes and personal monitor mixers, will be available in 2017

Recording

  • Onboard 34×34 SD recorder (using Capture™)
  • 38×38 USB recording interface
  • 55×55 AVB recording interface

Signal Processing

  • Intuitive Fat Channel signal processing on every channel with:
    • A/B settings comparison
    • Highpass filter and polarity reverse
    • Gate/expander with sidechain
    • Compressor with sidechain
    • 4-band parametric EQ on inputs
    • 6-band parametric EQ on outputs
    • Limiter
    • Delay on every input
    • Delay on every output
    • Professionally programmed library of presets
  • Vintage EQ and compressor models available on every input
    • Passive EQ
    • Vintage EQ
    • Tube compressor
    • FET compressor
  • 8 31-band graphic EQs
  • 4 internal effects buses: combination of reverbs and delays with modern and vintage options
  • Built-in real-time analyzer and signal generator

Metering/Displays

  • 7-inch color touchscreen
  • Input meter on every channel
  • Full-size Fat Channel metering
    • Input meter
    • Gate gain reduction meter
    • Compressor gain reduction meter
  • Full-size stereo Main output meters

Scenes and Presets

  • Create, save, and edit up to 100 scenes
  • Scene management with:
    • Scene Safe—prevents a scene change from affecting designated “safe” channels
  • Create, save, and edit channel settings and copy/paste between channels
  • Advanced channel preset options can save and recall:
    • Channel type and name
    • Input settings (preamp, +48V phantom power, polarity, pan)
    • Fat Channel A & B settings
    • Bus assignments
    • Aux and effects send levels and pan
    • Select button color
  • 8 Quick Scenes

Digital

  • Studio-quality converters with 115 dB dynamic range
  • 48 kHz operation with 24-bit resolution (44.1 kHz option coming soon)

Actively Integrated Software

  • UC Surface touch control software for Mac®, Windows®, and iPad®
  • Studio One® Professional digital audio workstation software for Mac and Windows
  • Capture™ multitrack recording software for Mac and Windows
  • QMix®-UC aux-control software for iOS® and Android™ available free from Apple App Store, Google Play, and Amazon App Store

 

Presonus StudioLive 16.4.2AI 

16 input channels, each with:

  • XLR mic and ¼” line inputs
  • High-headroom Class A XMAX mic preamplifiers
  • Analog ¼” inserts (rear panel)
  • Trim control with –20 to +20 dBV line / -15 to +65 dBu mic gain range (80 dB!)
  • +48V phantom power switch for condenser microphones
  • Digital Audio Input Select
  • 100 mm precision faders
  • Phase reverse, highpass filter, noise gate/expander, compressor, 4-band EQ, limiter—all with A/B and Quick Null
  • Cascade two StudioLive AI mixers of any frame size to create custom-sized mixing consoles.
  • 32 in x 18 out FireWire s800 direct digital recording interface (24-bit/44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz), compatible with Apple Thunderbolt to FireWire Adapter
  • Compatible with ASIO and Core Audio; works with Logic®, Pro Tools, Cubase, Sonar™, Digital Performer™, Live, and others
  • 16 dedicated mix buses for easy configuration
  • 6 aux buses with analog outputs
  • 4 internal FX buses
  • 4 subgroups with analog outputs
  • Stereo main bus with analog outputs
  • Access to Fat Channel functions

Four subgroup buses, each with:

  • Balanced TRS output
  • Solo
  • Mute
  • Noise gate/expander, compressor, 4-band EQ, limiter — all with A/B and Quick Null
  • 300 ms output delay

Six aux buses, each with:

  • Balanced TRS output
  • Solo
  • Mute
  • Pre1/Pre2/post-fader send
  • Output-level control
  • Highpass filter, noise gate/expander, compressor, 4-band EQ, limiter — all with A/B and Quick Null
  • 31-band graphic EQ with A/B and Quick Null
  • Available sources: 16 input channels, Aux In A and B, Tape Input, Main digital-audio return, FXA, FXB, FXC, FXD, Talkback

Four internal effects sends (two reverbs, two delay effects), each with:

  • Mute
  • Pre1/Pre2/post-fader send
  • Output-level control
  • Highpass filter, noise gate/expander, compressor, 4-band EQ, limiter — all with A/B and Quick Null

Stereo main bus with:

  • Balanced XLR outputs
  • Balanced TRS outputs
  • Mono sum XLR output
  • Noise gate/expander, compressor, 4-band EQ, limiter — all with A/B and Quick Null
  • 31-band graphic EQ with A/B and Quick Null

Master section

  • Aux Input A and B
  • Level Control and stereo pan
  • Noise gate/expander, compressor, 4-band EQ, limiter — all with A/B and Quick Null

Talkback system

  • Mic Level control
  • Output Select (Auxes, Main)
  • Talk button
  • Rear-panel XLR mic input with trim control and continuous 48V phantom power

2-track in

  • Level control
  • Tape Input to Mains button
  • Main Digital Audio Return on/off

Solo bus

  • Cue Mix volume control
  • PFL/AFL and Solo In Place (SIP) buttons
  • Latch, Radio, and CR Modes
  • Solo Clear

Monitor bus

  • Headphone-output level control
  • Control-room monitor-level control
  • Solo Bus to Monitor button
  • Tape Input to Monitor button
  • Main Digital Audio Return to Monitor button
  • Main Mix to Monitor button

Fat Channel with rotary encoders:

  • Pan with dedicated 15-LED display
  • Stereo link for input channels, aux buses, and subgroups
  • Phase reverse (input channels only)
  • High-pass filter: -6 dB/oct., sweepable from Off to 1 kHz (main channels and aux’s only)
  • Gate: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec; Bandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function
  • Compressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release
  • 4-band fully parametric equalizer (With UC Surface)
    • Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking
    • Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0
    • High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0
    • High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking
    • Master EQ On/Off button
  • 4-band semi-parametric equalizer
    • Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking
    • Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB; Low Q = .0.55, Hi Q = 2.0
    • High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB; Low Q = .0.55, Hi Q = 2.0
    • High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking
    • Master EQ On/Off button
  • Limiter: variable Threshold -28 dBfs to 0, ∞:1 Ratio
  • Alt EQ & Dyn button for quick A/B comparisons of two complete sets of Fat Channel settings for each channel and bus
  • Output Assign: 4 subgroups and main
  • All settings can be copied among channels and buses and can be saved as user presets.
  • 50 channel-strip presets for drums, bass, guitars, keyboards, and vocals
  • Quick Parameter Null easily zeroes out any Fat Channel parameter

Four internal digital effects-processors (2 reverbs, 2 delays), each with 50 customizable presets

Eight 31-band graphic equalizers

  • 6 Quick Scene buttons for instant Scene save/recall—like “speed dial” for Scenes (available on 16.4.2AI via UC Surface)
  • Automatic Global AutoStore
  • Customizable naming (for example, “Saturday Gig” or “Main Worship Service”)

Individual channel-strip setting storage

  • Up to 48 at a time, plus…
  • 50 factory presets for instruments and vocal
  • Copy and Paste between channels
  • Can be browsed by category (DRM, VOX, HRN, GTR, BAS, MISC, SYS)

Lockout mode to keep inspired amateurs from changing your settings

Metering/Displays

Input/Output

  • 24 x 16- LED Fat Channel matrix:
    • Pre-dynamics/pre-fader input
    • Post-dynamics/post-fader output
    • Gain reduction
    • Aux 1-14 and EFX A-D output
    • Fader-position recall
  • 8 x 15-LED main meter bank
    • Selected channel level
    • Selected channel gain reduction
    • Sub buses 1 to 4
    • Main stereo outputs
  • 15-LED horizontal Pan/Balance display
  • 64 x 194 LCD matrix
    • Effects parameters
    • Scene creation, storage, and recall
    • System menus
    • Channel Info page with custom naming
    • GEQ Select
  • 2-digit Channel Selected display
    • 16 main inputs, each with XLR mic, ¼” line, and ¼” inserts
    • 2 ¼” balanced stereo (L/R) aux inputs
    • 1 XLR talkback-mic input with XMAX™ preamp, phantom power (always on), and level control
    • Unbalanced RCA stereo (L/R) tape inputs and outputs
    • XLR stereo (L/R) main outputs with level control
    • ¼” balanced stereo (L/R) main outputs
    • XLR mono output with level control
    • ¼” balanced stereo (L/R) control-room outputs
    • ¼” headphone output
    • 4 ¼” balanced subgroup outputs
    • 6 ¼” balanced aux outputs
    • 16 pre-insert, balanced direct outputs, Ch. 1-8, 9-16 on DB25 sockets
    • Dedicated USB 2.0 port and included Wi-Fi LAN adapter for wireless communications
    • Installed Option Card with:
      • S/PDIF digital out
      • 2 FireWire S800 ports (compatible with Apple Thunderbolt to FireWire Adapter)
  • Optional I/O cards
    • Dante (SL-Dante-Mix)
    • AVB (SL-AVB-Mix)

Integrated software

  • US Surface control software with Smaart Measurement Technology™
  • Studio One® Artist Digital Audio Workstation software for Mac® and Windows®
  • Capture™ multitrack recording software for Mac and Windows
  • QMix®-UC aux-control software for iOS® and Android™ available free from Apple App Store, Google Play, and Amazon App Store

Digitalia

  • High-definition Burr-Brown analog-to-digital converters (118 dB dynamic range)
  • Unlimited-headroom, 32-bit floating point, digital mixing and effects processing
  • Internal sample frequency 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz

Physical

  • Rugged, non-flex steel chassis
  • 100 mm long-throw faders
  • Military-grade, quick-touch buttons
  • BNC 12V lamp socket
  • Optional dust covers available

Shure ULX-D24 / Beta58

, sistem wireless de digital cu performanță RF foarte eficientă, control prin rețea și encriptare AES-256, conversie audio 24 biți / 48 kHz.

  • transmițător de mână cu capsulă de microfon Beta 58
  • putere de transmisie RF transmițător: 20 mW
  • baterie transmitator SB900, durata de operare 11 ore
  • comutare predictivă a frecvențelor
  • mod High Density – optimizează sistemele ULX-D să opereze simultan mai multe canale în aplicații de pănă la 30 metri
  • scanare inteligentă a frecvențelor – gasețte și comută pe cea mai curată frecvență RF
  • detecție a interferențelor RF
  • gain ajustabil cu până la 60 dB
  • conectabil și controlabil prin rețea
  • suport pentru coordinarea frecvențelor cu Axient Spectrum Manager
  • receptor cu carcasă metalică
  • plajă frecvențe audio: 20 Hz – 20 kHz
  • gamă dinamică de peste 120 dB
  • lățime de bandă frecvențe RF: 64 MHz
  • bandă UHF: 606 – 670 MHz
  • latență: mai mică de 2.9 ms

 

Sistem wireless Shure QLXD24/KSM9 S50

  • Transmițător QLXD2:
    • banda frecventa S50: 823 – 832 MHz si 863 – 865 MHz
    • Instalare și operare ușoară
    • Conectare simplă emițător și receptor
    • Mai mult de 60 de canale presetate pe bandă de frecvență (regiune dependentă)
    • Scanare automată a canalelor, Network Scan și sincronizare infraroșu
    • Criptare AES-256
    • Răspuns în frecvență: 20 Hz – 20 kHz (în funcție de microfon)
    • Comunicare Ethernet pentru mai mulți destinatari
    • Compatibil cu software-ul Wireless Shure Workbench 6 (PC / Mac)
    • Monitorizarea și controlul cu dispozitive iOS mobile prin canale ShurePlus App
    • Tip: Transmitator
    • Baterii: AA sau baterie Shure Lithium-Ion
    • Raza de operare: 100 m
    • Viata baterie Alcaline: 9 ore
    • Viata baterie lithium: 10 ore
    • Carcasa: Metal
    • Dimensiuni: 256 x 51 x 51 mm
    • Greutate: 347 g
  • Receptor/Reciever QLXD4:
    • Ecran LCD
    • LED-uri pentru semnale audio și RF cu indicator de vârf
    • Antenă detașabilă (2 antene)
    • Ieșire: XLR și jack 6,3 mm
    • Carcasă robustă, din aluminiu
    • Port Ethernet
    • Alimentare: prin alimentator PS32E (inclus)
    • Capacitati retea: DHCP, link-local, static
    • Control telecomanda: Da
    • Semnal: Digital in VHF sau banda TV UHF
    • Criptare: 256 bit AES
    • Carcasa: Metal
    • Intrare impedanta antena: 50 ohm
    • Protectie phantom power: Da
    • Sensibilitate RF: -97 dBm
    • Switch linie microfon: Da
    • Antene detasabile: Da
    • Image Rejection: 70 dB
    • Spurious Rejection: 80 dB
    • Dimensiuni: 41 x 197 x 151 mm
    • Greutate: 777 g
  • Capsula de microfon KSM9:
    • Tip: Cardioid & supercardioid (selectabil)
    • Capsula: condenser
    • Calitate audio: 24-bit
    • Răspuns în frecvență: 50 Hz – 20 kHz

 

RODE NT1-A

este poate cel mai silentios microfon de studio cu condensator din lume.Prin caldura si clariatatea datorata diafragmei mari cu condesator si prin pretul avantajos, microfonul Rode NT1 este o alegere de succes.

Capsula sa este unidirectionala, suflata cu aur, are un boost la 15kHz ce intensifica toate vociile oferind extra prezenta, “aer” si inteligibilitate. Necesita alimentare standard “phantom power” 48V.

Include husa pentru transport si un dispozitiv anti-shock extern RODE SM6.

  • capsula mare de 25 mm cu diafragma suflata cu aur
  • caracteristica de captare unidirectionala
  • circuit FET cu zgomot foarte redus
  • finisare exterioara: nichel satin rezistenta la zgarieturi
  • protectie interna la socuri a capsulei
  • conectori XLR auriti

 

 

 

 

the t.bone DC 1500

-1microfon bas BD300 (dinamic)
-4microfoane Snare/Tom CD65 (dinamice) cu clema speciala de prindere
-2 microfoane condensator EM500

Microfon cu fir Shure Sm57

 

Aplications:

  • The legendary Shure SM57 microphone is exceptional for musical instrument pickup and vocals. With its bright, clean sound and contoured frequency response, the SM57 is ideal for live sound reinforcement and recording. It has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds.
  • The SM57’s outstanding performance, legendary reliability, and diversity of application make this “workhorse” the choice of performers, producers, and sound engineers worldwide.

Technical specifications:

  •  Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
  •  Professional-quality reproduction for drum, percussion, and instrument amplifier miking
  •  Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
  •  Pneumatic shock-mount system cuts down handling noise
  •  Extremely durable under the heaviest use
  •  Frequency response: 40 to 15,000 Hz

Stairville MH-X50+ LED Spot

  • moving head profesional
  • functioneaza cu led de 50W
  • roata cu 7 gobo-uri
  • 8 culori
  • racire cu ventilatoare
  • carcasa robusta
  • consum maxim: 135W
  • pan 540º – tilt 270º
  • dimmer electronic 0 – 100 %
  • microfon incorporat
  • control prin sunet, master, sau prin DMX 512
  • functie ”gobo shake”

 

 

 

 

 

 

Moving-Head Eurolite LED TMH-60 MK II

  • echipat cu un led de 60W COB
  • reda 7 culori briliante, dicrotice + alb
  • se poate controla prin sunet, prgoram presetat sau controler DMX
  • ocupa 14/11/2 canale DMX pentru numeroase aplicatii
  • miscarea in plan orizontal reglabila 540°, 360° si 180°
  • miscarea in plan vertical reglabila 270°, 180° and 90°
  • miscarea in plan orizontal si vertical se poate face si cu o rezolutie mai mare de 16 bit
  • functie macro-color pentru a putea combina cu usurinta culorile
  • o roata cu 6 gobo-uri rotative si deschis
  • 2 roti cu 8 gobo-uri metalice statice si deschis
  • prisma cu 3 fatete
  • functie gobo shake
  • dimmer electronic
  • focus motorizat
  • efect stroboscob cu viteza reglabila
  • efect de curcubeu cu viteza reglabila
  • microfon incorporat
  • panou de control incorporat – control prin 4 butoane
  • scene preprogramate pentru a functiona fara controler DMX
  • afisaj cu LED
  • racire cu ventilator
  • flas-rate: 10 Hz
  • conexiune XLR
  • consum 135W

 

 

Laserworld CS 1000RGB MKII

  • laser profesional cu un design imbunatatit, mai usor si mult mai stabil
  • putere totala1’000mW
  • putere minima800mW
  • culoarea rosie: sursa-650nm, putere-&gt200mW
  • culoarea verde: sursa-532nm, putere-&gt70mW
  • culoare albastra: sursa-445nm, putere-&gt530mW
  • grosimea razei: 3 mm
  • functionare cu interfata ILDA
  • funtionare:auto, music, DMX, ILDA
  • scanner:galvo system, 30kpps at 4°
  • sursa laser:Diode, DPSS Laser, clasa 4
  • alimentare:85V – 250V AC
  • consum:60 W

 

LED Par 9 x 12 w

 

American DJ Jelly Dome

 

ADJ Mega Bar TRI

 

American Dj Revo 4

 

ADJ efect H2O

ADJ MyDmx 3

Shure PSM 900 

sistem wireless pentru monitorizare cu căști in-ear și receptor de buzunar, cu performanțe audio și RF excelente, recomandat pentru cele mai pretențioase aplicații audio. Este compus din transmițătorul P9T și receptorul de buzunar P9RA. Prin noul Cue Mode, inginerul de sunet are posibilitatea de a face diferite mixaje de scenă prin atingerea unui buton. Filtrarea RF reduce semnificativ impuritățile provenite de la interferențe RF, în timp ce encoder-ul stereo digital oferă separare stereo excelentă și claritate audio. Oferă o varietate de opțiuni de alimentare, cu baterii de tip AA sau bateria lithium-ion Shure SB900. Oferă posibilitate de utilizare a 20 de frecvențe compatibile / bandă, și o lățime de bandă de tuning de 36 MHz – 40 MHz.

Caracteristici:

  • Calitate audio excepțională
    • Encoder digital stereo îmbunătățit ce oferă un câmp stereo lărgit, cu separație excepțională, ce conturează mult mai bine detaliul și claritatea audio, iar datorită Audio Reference Companding, oferă un sunet ca și transmis prin fir.
  • Performanță RF robustă
    • Filtrarea front-end RF de precizie, regăsită și în sistemele wireles de top UHF-R®, reduce semnificativ interferențele RF pentru un sunet RF mai curat și mai puternic, fără pierderi și impurități.
    • Transmisia liniară excepțională, reduce intermodulațiile de frecvențe, și permite până la 20 de canale compatibile per gama de frecvențe.
    • Funcția de auto control al gain-ului RF, previne distorsiunile ce pot apărea datorită supraîncărcării RF, înainte ca acestea să poată afecta performanța.
  • Setări și caracteristici de operare de top
    • Cue Mode-ul permite monitorizarea de diferite mix-uri de scenă, și salvarea a până la 20 de canale separate în receptorul de buzunar, pentru accesare rapidă și ușoară.
    • Pe panoul frontal se află un mute switch RF, cu ajutorul căruia se poate opri sau porni transmisia RF.
    • Folosiți Scan și Sync pentru a scana mediul RF cu ajutorul receptorului de buzunar, și pentru a atribui grupul identificat și canalul la sistemul dumneavoastră prin link IR wireless.
    • Tehnologia MixMode® permite utilizatorului de receptor de buzunar, să combine sau să controleze balansul a două canale separate, sau simultan să audă semnalul celor două canale în ambele căști.
    • Meniu LCD cu componente de meniu grupate, pentru o interfață de utilizator ușor de utilizat.

Specificații tehnice:

  • Mediu de utilizare: scene medii și mari
  • Putere de ieșire RF: selectabilă: 10, 50, 100 mW (+20 dBm) (în funcție de regiune)
  • Distanța de operare: până la 90 m
  • Răspuns în frecvență: 35 Hz – 15 kHz
  • Distorsiune armonică: <0,8%
  • Raport semnal/zgomot: 90 dB (A) typical
  • Sisteme compatibile per bandă: 20
  • Intrări de transmițător: 2x XLR/jack 6,3 mm combo, cu volum mic/linie
  • Ieșiri de transmițător: 2x jack 6,3 mm
    Control personal al mixului: pe transmițător
    Durata de utilizare pe baterie: 2 AA, 5-7 h

Specificații sistem PSM 900:

  • Gama de frecvențe purtătoare RF: 470 – 952 MHz (în funcție de regiune)
  • Lățimea benzii de tuning: 36 MHz – 40 MHz (în funcție de regiune)
  • Companding:Shure Audio Reference Companding patentat
  • Rejectie de impurități (ref. 12 dB SINAD): >80 dB (tipică)
  • Stabilitate în frecvență: ±2.5 ppm
  • MPX Pilot Tone: 19 kHz (±0.3 kHz)
  • Modulație: FM, MPX Stereo (deviație ±34 kHz, nominală)
  • Temperaură optimă de operare: -18°C – +57°C

Specificații tehnice Receptorul de buzunar P9R:

  • Filtrare Front-End RF: –3 dB, 30.5 MHz din centru de frecvențe
  • Control activ al gain-ului RF: 31 dB (ajustează sensibilitatea RF pentru a oferi o gamă dinamică RF lărgită)
  • Sensibilitate RF (20 dB SINAD): 2.2 μV
  • Squelch Threshold (±3 dB SINAD): 22 dB SINAD
  • Rejecție canale adiacente: >70 dB
  • Atenuare intermodulară: >50 dB
  • Blocaj: >80 dB
  • Rejecție de imagine: >90 dB
  • Putere de ieșire audio (1kHz la distorsiune <1%, putere de vârf, la 32Ω): 100 mW
  • Impedanța minimă de încărcare: 9.5 Ω
  • Selecție High Boost: +3 dB, +6 dB la 10 kHz
  • Dimensiuni: 85 mm x 66 mm x 23 mm

Specificații tehnice transmițător P9T:

  • Impedanța de ieșire RF: 50 Ω (tipică)
  • Greutate netă: 850 g
  • Dimensiuni: 197 mm x 166 mm x 42 mm
  • Cerințe de alimentare (RF on, 100 mW power mode, no audio): 415 mA, tipică

 

Stairville LB-3 Lighting Stand. 4,5 metri